Professor Dr. Gregor Stemmrich

Publications (in English)

 

Books

 

• Dan Graham
  Friedrich Christian Flick Collection, Artist’s Monographs, Vol. 8, Cologne: DuMont, 2008
• Listening to HEARING
  [essay on Robert Morris’s multimedia work HEARING (1972)], Leipzig: SpectorBooks, 2011 [see: „Editions“]

 

Editions

 

• Art and Cinematography
  [Internet modul:] www.medienkunstnetz.de [Media Art Net], 2003
• Having Been Said – Writings & Interviews of Lawrence Weiner 1968-2003
  ed. by Gerti Fietzek and Gregor Stemmrich, Ostfildern: Hatje Cantz Publisher, 2004
• Robert Morris HEARING
  [first edition of Robert Morris’s script for his  multimedia work HEARING (1972)], Leipzig: SpectorBooks, 2011 [see: „Monographs“]

 

Essays

 

• The Discovery of Boredom in American Art
  in: BE # 3, October 1995, 19- 23
• Art in a Pragmatic Continuum
  in: Exh. Cat. Kopfbahnhof / Terminal – Maria Eichhorn – Douglas Gordon – Lawrence Weiner, Hauptbahnhof Leipzig, 16-31 March, 1995, 10-27
• Dan Graham’s "Homes for America" (1966): The Artist as Photojournalist and the Discovery of the Suburbs
  in: DAIDALOS, No. 66, December 1997, 55-63
• Minimal Art – Underlying Concepts
  in: Exh. Cat. Minimal Maximal, Kunstmuseum Weserburg Bremen, 1998, 23-33
• Liam Gillick – "A Debate about Debate"
  in: Parkett, May 2001, 64-76
• Dan Graham’s Time Delay Room I
  in: CTRL SPACE. Rhetoric of Surveillance from Bentham to Big Brother, ed. by Thomas Levin, Ursula Frohne, and Peter Weibel, Exh. Cat. Zentrum für Moderne Kunst Karlsruhe 2001/2002, 68 - 71
• Models of Reception – Art as a Form of Reflecting ist Own History
  in: Exh. Cat. Art After Art / Kunst nach Kunst, Neues Museum Weserbug Bremen, 2002, 20-26
• Between Matter and Material. On the Art of Lawrence Weiner
  Exh. Cat. Kunstverein Ruhr, Essen 2003, o.p.
• Between Exaltation and Musing Contemplation. Jeff Wall’s Restitution of the Programm of „peinture de la vie moderne“
  in:, Exh. Cat. Jeff Wall – Photographs, Museum für Moderne Kunst / Sammlung Ludwig, Wien 2003, 140-158
• Lawrence Weiner – Material and Methodology
  in: Having Been Said. Writings & Interviews of Lawrence Weiner 1968-2003, ed. by Gerti Fietzek and Gregor Stemmrich, Ostfildern-Ruit: HatjeCantz 2004, 429-456
• Between the image and the visual
  in: VIDEONALE 10, ed. by Georg Elben, Kunstmuseum Bonn, 30. April 2005-16. May 2005, 37-61
• Media Art Net – A Paradigm for Media Art Mediation
  in: MedienKunstNetz / MediaArtNet 2, ed. by Dieter Daniels and Rudolf Frieling, Wien / New York: Springer, 2005, 28-49
• Nothing but Piece-Work
  in: Felix Gonzalez-Torres, Exh. Cat. Felix Gonzalez-Torres, Neue Gesellschaft für Bildende Kunst, 2006, 85-104
• Heterotopias of the Cinematographic: Institutional Critique and Cinema in the Art of Michael Asher and Dan Graham
  in: Art After Conceptual Art, ed. by Alexander Alberro and Sabeth Buchmann, Cambridge, Mass.: MIT Press, 2006, 135-150
• Lawrence Weiner – HELD TOGETHER WITH WATER
  in: HELD TOGETHER WITH WATER – Kunst aus der Sammlung Verbund /Art from the Sammlung Verbund, ed. by Gabriele Schor, Exh. Cat. Sammlung Verbund, Ostfildern-Ruit: Hatje Cantz, 2007, 208-214
• Mise en Scène – On the Relationship of Sculpture and Film in Holly Zausner’s Film „unseen“
  in: Exh. Cat. Holly Zausner – unseen, Bode Museum Berlin 24. April -13. May 2007, 44-75
• Lawrence Weiner – Material, Language, Tic-Tac-Toe
  in: AS FAR AS THE EYE CAN SEE – Lawrence Weiner 1960 – 2007, Exh. Cat. The Museum of Contemporary Art, Los Angeles / Whitney Museum of American Art, New York, ed. by Ann Goldstein and Donna De Salvo, New Haven and London: Yale University Press, 2007, 208-241
• Gerhard Richter – Abstraction as Derailment
  in: Gerhard Richter. Large Abstracts, ed. by Ulrich Wilmes, Ostfildern: Hatje Cantz, 2008, 19-34
• Défilé des Ombres: Passage d’images – A Film by Sandra Peters
  in: Sandra Peters: Défilé des Ombres: Passage d’images, Berlin 2008, 35-38
• White Cube, Black Box and Grey Areas: Venues and Values
  in: Art and the Moving Image. A Critical Reader, ed. By Tanya Leighton, Tate Publishing in Association with Afterall, 2008, 430-443
• Dan Graham’s „Cinema“ and Film Theory
  in: Art of Projection, ed. by Stan Douglas, Ostfildern: Hatje Cantz, 2009, 93-110
• Der Spiegel I and Der Spiegel II
  in: Exh. Cat. Isa Genzken – Open Sesame! Museum Ludwig, Cologne / Whitechapel Gallery, London, 2009, 116-125
• „Talking about the essence of something“ – History, Discourse and Myth in Cy Twombly’s Work
  in: Exh. Cat. Cy Twombly. States of Mind. Painting, Sculpture, Photography, Drawing, Museum Moderner Kunst Stiftung Ludwig Wien, 2009, 116-129
• Heimo Zobernig’s Exhibition ohne Titel (in Red)––(Not) A Reptrospective
  Kunsthalle Zürich, 2011, 138-161
• Sound Column: Circling Sound
  [text for booklet inside record/multiple by Sandra Peters: Sound Column: Circling Sound, Berlin, 2011]
• Hypertrophies, Trophies, and Tropes of the Everyday: Claes Oldenburg’s New Definitions of Sculture
  in: Exh. Cat. Claes Oldenburg: the Sixties; MUMOK Wien, 2012, 156-213
• Frank Stella: „What Painting Wants“
  in: Ausst. Kat. Frank Stella Retrospective. Works 1958-2012, Kunstmuseum Wolfsburg, September 8, 2012 – January 20, 2013, 28-87
• Piet Mondrian – Barnett Newman – Dan Flavin. Painting as Medium and Model
  in: Ausst. Kat. Piet Mondrian – Barnett Newman – Dan Flavin, Kunstmuseum Basel 2013, 15-26
• Showing & Telling – Drawing & Writing
  in: Ausst. Kat. Lawrence Weiner Drawings – Written on the Wind, Museu d’Art Contemporani de Barcelona 2013, 105-113
• Henri Chopin – Guy de Cointet – Channa Horwitz. Signs, Rules, Processes – Indetermination and Deconstruction
  in: Ausst. Kat. Henri Chopin – Guy de Cointet – Channa Horwitz. Anton Voyls Fortgang / A Void, Kunsthalle Düsseldorf 2013, 20-24

• Foreword
  in: Marie-France Rafael: Pierre Huyghe ON SITE, Köln: Verlag der Buchhandlung Walther König, 2013, 7-9