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Laufende Dissertationen

Von Prof. Juliane Noth betreute Dissertationen: 

  • Heli HSU: “Post-Impressionism in Modern China: the Modern Artist, Artistic Practice, and the Role of Tradition” (begonnen 2022)
  • KUANG Yue: “Bilder von exotischen Tieren in der Kunst und visuellen Kultur der Ming-Dynastie (1368-1644)” (begonnen 2023)
  • LIM Gayoung: “Cultural Exchanges between Korean Peninsula, China, and Japan from the MIddle of the 6th Century to the Middle of the 7th Century: An Interpretation of Regional Information through Korean Pensive Bodhisattva” (begonnen 2022)
  • Nora WÖLFING: “Visions of Futurity in Contemporary Art from the Sinophone Region” (begonnen 2022)
  • YANG Yini: “Destroying Socialist Spaces: China's Avant-Garde Exhibitions in the long 1980s” (begonnen 2022)
  • ZENG Siyi: “Familial Landscape: The Zhao Family of Wuxing and the Production of Mountain Dwelling Painting in Fourteenth-Century China” (begonnen 2023)

Von Prof. Jeong-hee Lee-Kalisch betreute Dissertationen

  • CHEN Cheng: “The Huayan Cave: Art and Belief of Popular Buddhism of the Song Dynasty (10th-13th Century) in Sichuan”
  • HUANG Chunmeng: “Representation of Emperor Xuanzong (685-762) in Chinese Art: A Study on the Chinese Paintings with the Motif “Emperor Xuanzong””
  • JIANG Yuwen: “Body Fragments and Romantic Residues — Between Abstract Narrative and Narrative Abstract in Chinese Avant-garde Calligraphy”
  • KIM Hyun Young: “Die Bedeutung der koreanischen Künstlerin NA Hye-seok im Spannungsverhältnis zwischen Tradition und Moderne”
  • KIM Seoyoung: “Das Werk des Künstlers Do Ho Suh als Beispiel der zeitgenössischen Kunst aus Südkorea: Das Transkulturelle als künstlerische Strategie”
  • Martyna LESNIEWSKA: “Formation of the Nagasone School: Influences, Inventions and Development of a Distinctive Style of Armour Makers”
  • Petra PÖLZL: “The Aftermath of Shock Wave Art. Performing Political Subjects/Performance Art in China”
  • Ruth Sonja SIMONIS: “Travel and Transculture: Fukui Kôtei (1866-1937)"
  • TIAN Lu: “Transmission der buddhistischen Darstellungen auf den Seidenstraßen: Analyse der Fundstücke aus der Qigexing Tempelanlage im rituellen Kontext”
  • YANG Piaopiao: “Rock as Subject Matter in Chinese Painting and Painting Manuals”
  • YANG Ya-Ting: “The Role of France in Modern Chinese Art 1911-1976”
  • ZHAN Qian: “The Mental Portrait of Yimin: A Case Study on Zheng Sixiao and His Ink Orchid from the Perspective of Psychoanalysis”
  • ZHANG Xuansu: “Gewebte Ornamente mit Schriftzeichen aus dem Tarimbecken: Jin-Seide im transkulturellen Kontext, 1.-4. Jh. n. Chr.”
  • ZHOU Jian: “The Ten Austerities of Liu Benzun in Piludong, Anyue, China”